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Category: composers

The Deadly Gent: British Crime Films of 1970-1972

Published May 9, 2019December 28, 2020 by Privilege Of Legends in 70's cinema, 70's film, al capone, art direction, art in film, bfi, blaxploitation, blog essay, british board of film censors, british cinema, british crime films, british films, cinematography, classic film, composers, creative writing, crime fiction, crime film, criterion, cult film, directing, directing film, director of photography, directors, experimental film, film art, film blog, film censorship, film design, film distribution, film essay, film genre, film music, film noir, film parody, film posters, film production, film scores, film studies, film theory, filmmaking, foreign film, french cinema, french new wave, gangster films, hard boiled, hollywood, hollywood satire, independent film, jazz, london art, london film, michael caine, mickey spillane, musical theatre, musicals, neo noir, nicolas roeg, organised crime, parody, period films, playwrights, politics, privilege of legends, pulp crime, pulp crime fiction, pulp fiction, raoul walsh, raymond chandler, realism in film, richard burton, satire, screen adaptations, screenwriting, sonny and his pen, sonny syah, symbolism in film, theatre in film, thriller, Uncategorized, walkabout, warner brothers

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At First Glance: A Second To Reflect On The Third Man

Published June 11, 2016January 9, 2017 by Privilege Of Legends in 40's film, academy awards, acting, adventure films, AFTRS, alexander korda, anti-war film, art in film, auteurs, bfi, blog essay, british cinema, carol reed, cinematography, classic film, classical music, composers, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, editing, fascism, femme fatale, film art, film blog, film design, film editing, film essay, film genre, film lighting, film music, film noir, film posters, film production, film scores, film studies, film theory, film vienna, filmmaking, foreign film, german expressionism, graham greene, hard boiled, hitchcock, joseph cotten, london art, london film, neo noir, NIDA, orson welles, period films, poetic realism, politics, post production, post-war film, privilege of legends, pulp crime fiction, screenwriting, shooting technique, sonny syah, symbolism in film, the third man, third man museum, thriller, Uncategorized, world cinema

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A Score To Settle

Published March 8, 2015January 10, 2017 by Privilege Of Legends in academy awards, adventure films, bernard hermann, bfi, cinematography, classic film, composers, cult film, directing, ennio morricone, film music, film production, film scores, film sound, giorgio moroder, independent american cinema, independent film, screenwriting, shooting technique, soundtracks

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