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Category: directing

The Spy Films Of Fritz Lang

Published January 5, 2018January 6, 2018 by Privilege Of Legends in 40's film, academy awards, adventure films, alfred hitchcock, anti-nazi, anti-war film, art direction, art in film, auteurs, bfi, blog essay, british cinema, carol reed, cinematography, classic film, cold war, creative writing, crime fiction, crime film, criterion, cult film, directing, directing film, directors, fascism, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, film vienna, filmmaking, foreign cinema, foreign film, fritz lang, german expressionism, graham greene, graphic art, hard boiled, hays code, hitchcock, hollywood, independent american cinema, independent film, italian neo-realism, london film, mccarthyism, michael curtiz, neo-realism, neorealism, NIDA, paramount pictures, period films, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, screen adaptations, screenwriting, silent films, sonny syah, spy films, spy movies, the third man, thriller, Uncategorized, war films, warner brothers, world cinema

An Aragonian In Mexico

Published May 29, 2017June 14, 2017 by Privilege Of Legends in 30's films, 40's film, 50's film, 60's film, academy awards, anti-war film, art direction, art in film, auteurs, avant garde, battle of algiers, best film design, bfi, black comedy, blog essay, british cinema, Buñuel mexico, cinematography, classic film, classical music, cocteau, colour in film, creative writing, criterion, cult film, dadaism, deutsche filmmuseum, directing, directing film, director of photography, editing, experimental film, fascism, film art, film blog, film censorship, film design, film editing, film essay, film genre, film music, film posters, film production, film scores, film studies, film theory, filmmaking, foreign cinema, foreign film, french new wave, hitchcock, hollywood, hollywood satire, independent film, ingmar bergman, italian neo-realism, jazz, jean-luc godard, john huston, london art, london film, luis bunuel, mexican cinema, mexico film, neo-realism, neorealism, NIDA, period films, poetic realism, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, salvador dali, screenwriting, set design, shooting technique, silent films, sonny syah, spain film, surrealism, symbolism in film, Uncategorized

A Kurosawa Retrospective: Interview With Franck Lubet

Published March 10, 2017April 13, 2018 by Privilege Of Legends in 30's films, 40's film, 50's film, 60's film, 70's cinema, 80's film, academy awards, akira kurosawa, anti-war film, art direction, art in film, asian cinema, auteurs, best film design, bfi, british cinema, cinematography, classic film, crime fiction, crime film, criterion, cult film, directing, directing film, director of photography, directors, film art, film blog, film design, film essay, film genre, film noir, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, francis ford coppola, gangster films, hollywood, independent film, japanese cinema, john ford, london film, melodrama, neo-realism, NIDA, period films, post production, post-war film, privilege of legends, pulp crime fiction, quentin tarantino, scorsese, screenwriting, set design, shakespeare, shooting technique, sonny syah, spielberg, symbolism in film, Toshiro Mifune, Uncategorized, world cinema

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Mann Synonymous With Noir

Published January 7, 2017March 12, 2017 by Privilege Of Legends in 40's film, 50's film, academy awards, acting, adventure films, alfred hitchcock, art in film, auteurs, bfi, blog essay, cinematography, classic film, cowboy films, creative writing, crime fiction, crime film, criterion, cult film, detour, directing, directing film, directors, editing, femme fatale, film art, film blog, film design, film essay, film genre, film lighting, film noir, film posters, film production, film studies, film theory, film titles, filmmaking, gangster films, german expressionism, hard boiled, hitchcock, hollywood, london art, london film, melodrama, mob films, NIDA, painting, period films, post-war film, privilege of legends, prohibition era, propaganda film, pulp crime fiction, rko pictures, screenwriting, shooting technique, sonny syah, symbolism in film, thriller, Uncategorized, western films

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Art & The Avant-Garde

Published May 25, 2016January 8, 2017 by Privilege Of Legends in 30's films, 40's film, AFTRS, art in film, auteurs, avant garde, bfi, blog essay, blood of a poet, cinematography, classic film, cocteau, color of pomegranates, creative writing, criterion, cult film, dadaism, directing, directing film, directors, dziga vertoz, eastern european film, experimental film, film art, film blog, film censorship, film design, film editing, film essay, film genre, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, french cinema, hitchcock, independent american cinema, independent film, london art, london film, luis bunuel, man ray, man with a movie camera, marcel duchamp, max ernst, maya deren, meshes of the afternoon, NIDA, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, russian film, salvador dali, screenwriting, shooting technique, silent films, soviet montage theory, surrealism, symbolism in film, Uncategorized

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Renaissance Man: The Hefty Work Of John Huston

Published April 14, 2016January 8, 2017 by Privilege Of Legends in academy awards, acting, adventure films, art in film, asphalt jungle, auteurs, bfi, black comedy, blog essay, cinematography, classic film, creative writing, criterion, cult film, directing, directing film, directors, femme fatale, film art, film blog, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, hard boiled, hollywood, hollywood satire, humphrey bogart, independent film, john huston, le bonbon uk, london art, london film, marilyn monroe, melodrama, moby dick, neo noir, NIDA, period films, post production, privilege of legends, pulp crime fiction, raoul walsh, raymond chandler, satire, screenwriting, shooting technique, sonny syah, tennessee williams, Uncategorized

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Hollywood And The Nuclear Age

Published September 2, 2015January 9, 2017 by Privilege Of Legends in 50's film, 60's film, 80's film, academy awards, AFTRS, alex cox, anti-war film, art in film, auteurs, bfi, black comedy, cinematography, classic film, cold war, crime fiction, directing, film art, film essay, film genre, film noir, film production, filmmaking, hard boiled, london film, mickey spillane, peter sellers, politics, privilege of legends, pulp crime fiction, ralph meeker, robert aldrich, satire, science fiction, shooting technique, sonny syah, stanley kubrick

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