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Category: fascism

Noir in Six Fatal Kisses

Published March 11, 2018March 11, 2018 by Privilege Of Legends in 40's film, 50's film, academy awards, art direction, art in film, ben hecht, bfi, billy wilder, blog essay, classic film, cold war, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, double indemnity, fascism, femme fatale, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, gangster films, hard boiled, hays code, hollywood, independent american cinema, independent film, james cagney, james m cain, london film, mccarthyism, mickey spillane, neo noir, privilege of legends, pulp crime, pulp crime fiction, pulp fiction, ralph meeker, raoul walsh, raymond chandler, richard conte, rko pictures, robert aldrich, robert siodmak, sam fuller, samuel fuller, scorsese, screen adaptations, screenwriting, sonny syah, spy films, spy movies, stanley kubrick, Uncategorized, war films

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The Spy Films Of Fritz Lang

Published January 5, 2018January 6, 2018 by Privilege Of Legends in 40's film, academy awards, adventure films, alfred hitchcock, anti-nazi, anti-war film, art direction, art in film, auteurs, bfi, blog essay, british cinema, carol reed, cinematography, classic film, cold war, creative writing, crime fiction, crime film, criterion, cult film, directing, directing film, directors, fascism, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, film vienna, filmmaking, foreign cinema, foreign film, fritz lang, german expressionism, graham greene, graphic art, hard boiled, hays code, hitchcock, hollywood, independent american cinema, independent film, italian neo-realism, london film, mccarthyism, michael curtiz, neo-realism, neorealism, NIDA, paramount pictures, period films, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, screen adaptations, screenwriting, silent films, sonny syah, spy films, spy movies, the third man, thriller, Uncategorized, war films, warner brothers, world cinema

Take A Stroll Through S. Parajanov Museum

Published June 11, 2017June 11, 2017 by Privilege Of Legends in 60's film, academy awards, andrei tarkovsky, anti-war film, armenian film, art direction, art in film, ashik kerib, auteurs, avant garde, best film design, bfi, blog essay, british cinema, cinematography, classic film, classical music, cold war, color of pomegranates, colour in film, costume design, creative writing, criterion, cult film, dadaism, directing film, director of photography, directors, eastern european film, experimental film, fascism, film art, film blog, film censorship, film design, film essay, film genre, film posters, film production, film scores, film sound, film studies, film theory, filmmaking, foreign cinema, foreign film, georgian film, hollywood satire, independent film, legend of suram fortress, london art, london film, neo-realism, neorealism, NIDA, parody, period films, poetic realism, politics, post production, post-war film, privilege of legends, propaganda, propaganda film, russian film, satire, screenwriting, sergei paradjanov museum, sergei parajanov, set design, shooting technique, sonny syah, soviet film, soviet montage theory, surrealism, symbolism in film, Uncategorized, world cinema

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An Aragonian In Mexico

Published May 29, 2017June 14, 2017 by Privilege Of Legends in 30's films, 40's film, 50's film, 60's film, academy awards, anti-war film, art direction, art in film, auteurs, avant garde, battle of algiers, best film design, bfi, black comedy, blog essay, british cinema, Buñuel mexico, cinematography, classic film, classical music, cocteau, colour in film, creative writing, criterion, cult film, dadaism, deutsche filmmuseum, directing, directing film, director of photography, editing, experimental film, fascism, film art, film blog, film censorship, film design, film editing, film essay, film genre, film music, film posters, film production, film scores, film studies, film theory, filmmaking, foreign cinema, foreign film, french new wave, hitchcock, hollywood, hollywood satire, independent film, ingmar bergman, italian neo-realism, jazz, jean-luc godard, john huston, london art, london film, luis bunuel, mexican cinema, mexico film, neo-realism, neorealism, NIDA, period films, poetic realism, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, salvador dali, screenwriting, set design, shooting technique, silent films, sonny syah, spain film, surrealism, symbolism in film, Uncategorized

The Good Pulp Novelist Always Rings True

Published November 20, 2016January 9, 2017 by Privilege Of Legends in 30's films, 40's film, 50's film, academy awards, AFTRS, art in film, auteurs, avant garde, bfi, blog essay, cinematography, classic film, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, fascism, femme fatale, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, france, french cinema, french new wave, gangster films, hard boiled, hays code, hollywood, italian neo-realism, london art, london film, michael curtiz, mildred pierce, neo noir, neo-realism, neorealism, period films, poetic realism, post production, post-war film, pre-code hollywood, privilege of legends, pulp crime fiction, raymond chandler, rko pictures, screenwriting, sonny syah, symbolism in film, Uncategorized, world cinema

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At First Glance: A Second To Reflect On The Third Man

Published June 11, 2016January 9, 2017 by Privilege Of Legends in 40's film, academy awards, acting, adventure films, AFTRS, alexander korda, anti-war film, art in film, auteurs, bfi, blog essay, british cinema, carol reed, cinematography, classic film, classical music, composers, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, editing, fascism, femme fatale, film art, film blog, film design, film editing, film essay, film genre, film lighting, film music, film noir, film posters, film production, film scores, film studies, film theory, film vienna, filmmaking, foreign film, german expressionism, graham greene, hard boiled, hitchcock, joseph cotten, london art, london film, neo noir, NIDA, orson welles, period films, poetic realism, politics, post production, post-war film, privilege of legends, pulp crime fiction, screenwriting, shooting technique, sonny syah, symbolism in film, the third man, third man museum, thriller, Uncategorized, world cinema

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Jewels Of The Czechoslovakian New Wave

Published May 18, 2016January 9, 2017 by Privilege Of Legends in 50's film, 60's film, academy awards, acting, anti-war film, art in film, auteurs, bfi, black comedy, blog essay, cinematography, classic film, cold war, colour in film, creative writing, criterion, cult film, czech new wave, directing film, directors, eastern european film, editing, fascism, film art, film blog, film censorship, film design, film editing, film essay, film genre, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, french new wave, german expressionism, independent film, italian neo-realism, jiri menzel, le bonbon uk, london art, london film, neo-realism, NIDA, parody, politics, post-war film, pre-war film, privilege of legends, propaganda film, satire, screenwriting, shooting technique, sonny syah, subtitles cafe, Uncategorized, world cinema

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