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Category: film censorship

The Deadly Gent: British Crime Films of 1970-1972

Published May 9, 2019 by Privilege Of Legends in 70's cinema, 70's film, al capone, art direction, art in film, bfi, blaxploitation, blog essay, british board of film censors, british cinema, british crime films, british films, cinematography, classic film, composers, creative writing, crime fiction, crime film, criterion, cult film, directing, directing film, director of photography, directors, experimental film, film art, film blog, film censorship, film design, film distribution, film essay, film genre, film music, film noir, film parody, film posters, film production, film scores, film studies, film theory, filmmaking, foreign film, french cinema, french new wave, gangster films, hard boiled, hollywood, hollywood satire, independent film, jazz, london art, london film, michael caine, mickey spillane, musical theatre, musicals, neo noir, nicolas roeg, organised crime, parody, period films, playwrights, politics, privilege of legends, pulp crime, pulp crime fiction, pulp fiction, raoul walsh, raymond chandler, realism in film, richard burton, satire, screen adaptations, screenwriting, sonny and his pen, sonny syah, symbolism in film, theatre in film, thriller, Uncategorized, walkabout, warner brothers

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Film Censorship & Pre-Code Hollywood

Published August 12, 2018August 16, 2018 by Privilege Of Legends in 30's films, al capone, barbara stanwyck, british board of film censors, charles laughton, crime fiction, crime film, edward g. robinson, ernst lubitsch, fatty arbuckle scandal, femme fatale, film censorship, film production code, gangster films, george raft, h.g wells, hays code, hollywood court cases, horror, island of lost souls, james cagney, jean harlow, joan crawford, john dillinger, lewis milestone, little caesar, mccarthyism, murders in the zoo, organised crime, paul muni, pre-code hollywood, pre-code horror, privilege of legends, pulp crime, pulp crime fiction, realism in film, red-headed woman, scarface, science fiction, silent films, sonny and his pen, sonny syah, stock market collapse 1929, the great depression, the island of dr. moreau, the jazz age, the public enemy, tod browning, Uncategorized, w. somerset maugham, walter huston, warner brothers, william desmond taylor, william hays, william wellman

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Six Fatal Kisses

Published March 11, 2018February 27, 2019 by Privilege Of Legends in 40's film, 50's film, academy awards, art direction, art in film, ben hecht, bfi, billy wilder, blog essay, classic film, cold war, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, double indemnity, fascism, femme fatale, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, gangster films, hard boiled, hays code, hollywood, independent american cinema, independent film, james cagney, james m cain, london film, mccarthyism, mickey spillane, neo noir, privilege of legends, pulp crime, pulp crime fiction, pulp fiction, ralph meeker, raoul walsh, raymond chandler, richard conte, rko pictures, robert aldrich, robert siodmak, sam fuller, samuel fuller, scorsese, screen adaptations, screenwriting, sonny syah, spy films, spy movies, stanley kubrick, Uncategorized, war films

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The Spy Films Of Fritz Lang

Published January 5, 2018January 6, 2018 by Privilege Of Legends in 40's film, academy awards, adventure films, alfred hitchcock, anti-nazi, anti-war film, art direction, art in film, auteurs, bfi, blog essay, british cinema, carol reed, cinematography, classic film, cold war, creative writing, crime fiction, crime film, criterion, cult film, directing, directing film, directors, fascism, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, film vienna, filmmaking, foreign cinema, foreign film, fritz lang, german expressionism, graham greene, graphic art, hard boiled, hays code, hitchcock, hollywood, independent american cinema, independent film, italian neo-realism, london film, mccarthyism, michael curtiz, neo-realism, neorealism, NIDA, paramount pictures, period films, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, screen adaptations, screenwriting, silent films, sonny syah, spy films, spy movies, the third man, thriller, Uncategorized, war films, warner brothers, world cinema

Take A Stroll Through S. Parajanov Museum

Published June 11, 2017June 11, 2017 by Privilege Of Legends in 60's film, academy awards, andrei tarkovsky, anti-war film, armenian film, art direction, art in film, ashik kerib, auteurs, avant garde, best film design, bfi, blog essay, british cinema, cinematography, classic film, classical music, cold war, color of pomegranates, colour in film, costume design, creative writing, criterion, cult film, dadaism, directing film, director of photography, directors, eastern european film, experimental film, fascism, film art, film blog, film censorship, film design, film essay, film genre, film posters, film production, film scores, film sound, film studies, film theory, filmmaking, foreign cinema, foreign film, georgian film, hollywood satire, independent film, legend of suram fortress, london art, london film, neo-realism, neorealism, NIDA, parody, period films, poetic realism, politics, post production, post-war film, privilege of legends, propaganda, propaganda film, russian film, satire, screenwriting, sergei paradjanov museum, sergei parajanov, set design, shooting technique, sonny syah, soviet film, soviet montage theory, surrealism, symbolism in film, Uncategorized, world cinema

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An Aragonian In Mexico

Published May 29, 2017June 14, 2017 by Privilege Of Legends in 30's films, 40's film, 50's film, 60's film, academy awards, anti-war film, art direction, art in film, auteurs, avant garde, battle of algiers, best film design, bfi, black comedy, blog essay, british cinema, Buñuel mexico, cinematography, classic film, classical music, cocteau, colour in film, creative writing, criterion, cult film, dadaism, deutsche filmmuseum, directing, directing film, director of photography, editing, experimental film, fascism, film art, film blog, film censorship, film design, film editing, film essay, film genre, film music, film posters, film production, film scores, film studies, film theory, filmmaking, foreign cinema, foreign film, french new wave, hitchcock, hollywood, hollywood satire, independent film, ingmar bergman, italian neo-realism, jazz, jean-luc godard, john huston, london art, london film, luis bunuel, mexican cinema, mexico film, neo-realism, neorealism, NIDA, period films, poetic realism, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, salvador dali, screenwriting, set design, shooting technique, silent films, sonny syah, spain film, surrealism, symbolism in film, Uncategorized

An International Tour With The Stanley Kubrick Exhibition

Published January 28, 2017February 3, 2017 by Privilege Of Legends in 2001 space odyssey, 50's film, 60's film, 70's film, 80's film, academy awards, anti-war film, art in film, auteurs, barry lyndon, bfi, blog essay, cinematography, classic film, clockwork orange, cold war, colour in film, creative writing, criterion, cult film, deutsche filmmuseum, directing film, director of photography, directors, dr strangelove, eyes wide shut, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, film titles, filmmaking, foreign cinema, foreign film, full metal jacket, hitchcock, hollywood, hollywood satire, horror, independent american cinema, independent film, jack nicholson, kubrick, kurosawa, lolita, london art, london film, melodrama, nicolas roeg, NIDA, period films, politics, post production, privilege of legends, sci-fi, science fiction, screenwriting, shooting technique, sonny syah, spartacus, stanley kubrick, stanley kubrick exhibition, symbolism in film, thriller, Uncategorized

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