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Category: horror

Film Censorship & Pre-Code Hollywood

Published August 12, 2018August 16, 2018 by Privilege Of Legends in 30's films, al capone, barbara stanwyck, british board of film censors, charles laughton, crime fiction, crime film, edward g. robinson, ernst lubitsch, fatty arbuckle scandal, femme fatale, film censorship, film production code, gangster films, george raft, h.g wells, hays code, hollywood court cases, horror, island of lost souls, james cagney, jean harlow, joan crawford, john dillinger, lewis milestone, little caesar, mccarthyism, murders in the zoo, organised crime, paul muni, pre-code hollywood, pre-code horror, privilege of legends, pulp crime, pulp crime fiction, realism in film, red-headed woman, scarface, science fiction, silent films, sonny and his pen, sonny syah, stock market collapse 1929, the great depression, the island of dr. moreau, the jazz age, the public enemy, tod browning, Uncategorized, w. somerset maugham, walter huston, warner brothers, william desmond taylor, william hays, william wellman

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From Stage To Screen

Published September 1, 2017September 1, 2017 by Privilege Of Legends in 30's films, 40's film, 50's film, 60's film, 70's cinema, academy awards, acting, AFTRS, alfred hitchcock, art direction, art in film, ballet, best film design, bfi, black comedy, british cinema, cinematography, classic film, classical music, costume design, creative writing, criterion, cult film, directing film, directors, film art, film blog, film design, film essay, film genre, film music, film posters, film production, film scores, film studies, film theory, filmmaking, foreign cinema, foreign film, fritz lang, hays code, hollywood, hollywood satire, horror, howard hawks, independent american cinema, jack nicholson, jack palance, john huston, king vidor, kirk douglas, london film, marilyn monroe, marlon brando, marx brothers, mccarthyism, michael curtiz, musical theatre, musicals, NIDA, parody, period films, playwrights, post production, post-war film, pre-code hollywood, pre-war film, privilege of legends, robert aldrich, satire, screen adaptations, screenwriting, set design, shakespeare, silent films, sonny syah, symbolism in film, tennessee williams, the big knife, theatre in film, Uncategorized, world cinema

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An International Tour With The Stanley Kubrick Exhibition

Published January 28, 2017February 3, 2017 by Privilege Of Legends in 2001 space odyssey, 50's film, 60's film, 70's film, 80's film, academy awards, anti-war film, art in film, auteurs, barry lyndon, bfi, blog essay, cinematography, classic film, clockwork orange, cold war, colour in film, creative writing, criterion, cult film, deutsche filmmuseum, directing film, director of photography, directors, dr strangelove, eyes wide shut, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, film titles, filmmaking, foreign cinema, foreign film, full metal jacket, hitchcock, hollywood, hollywood satire, horror, independent american cinema, independent film, jack nicholson, kubrick, kurosawa, lolita, london art, london film, melodrama, nicolas roeg, NIDA, period films, politics, post production, privilege of legends, sci-fi, science fiction, screenwriting, shooting technique, sonny syah, spartacus, stanley kubrick, stanley kubrick exhibition, symbolism in film, thriller, Uncategorized

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‘To Suggest Is To Create’. The Psychological Thrillers Of The 40’s

Published June 29, 2015January 8, 2017 by Privilege Of Legends in 40's film, charles vidor, classic film, creative writing, cult film, directing film, film art, film blog, film essay, film noir, film production, hitchcock, hollywood, horror, orson welles, privilege of legends, rko pictures, robert siodmak, sonny syah, thriller, val lewton

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