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'It is the privilege of legends to be timeless.'

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Category: robert aldrich

Noir in Six Fatal Kisses

Published March 11, 2018March 29, 2021 by Privilege Of Legends in 40's film, 50's film, academy awards, art direction, art in film, ben hecht, bfi, billy wilder, blog essay, classic film, cold war, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, double indemnity, fascism, femme fatale, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, gangster films, hard boiled, hays code, hollywood, independent american cinema, independent film, james cagney, james m cain, london film, mccarthyism, mickey spillane, neo noir, privilege of legends, pulp crime, pulp crime fiction, pulp fiction, ralph meeker, raoul walsh, raymond chandler, richard conte, rko pictures, robert aldrich, robert siodmak, sam fuller, samuel fuller, scorsese, screen adaptations, screenwriting, sonny syah, spy films, spy movies, stanley kubrick, Uncategorized, war films

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From Stage To Screen

Published September 1, 2017September 1, 2017 by Privilege Of Legends in 30's films, 40's film, 50's film, 60's film, 70's cinema, academy awards, acting, AFTRS, alfred hitchcock, art direction, art in film, ballet, best film design, bfi, black comedy, british cinema, cinematography, classic film, classical music, costume design, creative writing, criterion, cult film, directing film, directors, film art, film blog, film design, film essay, film genre, film music, film posters, film production, film scores, film studies, film theory, filmmaking, foreign cinema, foreign film, fritz lang, hays code, hollywood, hollywood satire, horror, howard hawks, independent american cinema, jack nicholson, jack palance, john huston, king vidor, kirk douglas, london film, marilyn monroe, marlon brando, marx brothers, mccarthyism, michael curtiz, musical theatre, musicals, NIDA, parody, period films, playwrights, post production, post-war film, pre-code hollywood, pre-war film, privilege of legends, robert aldrich, satire, screen adaptations, screenwriting, set design, shakespeare, silent films, sonny syah, symbolism in film, tennessee williams, the big knife, theatre in film, Uncategorized, world cinema

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Isolation & The Western

Published June 25, 2016January 20, 2017 by Privilege Of Legends in academy awards, acting, adventure films, art in film, auteurs, bfi, blog essay, cinematography, classic film, colour in film, cowboy films, creative writing, criterion, cult film, directing film, directors, eastman color, film art, film blog, film design, film essay, film genre, film lighting, film production, film studies, film theory, filmmaking, henry fonda, hollywood, howard hawks, jim jarmusch, joan crawford, john ford, john wayne, london art, london film, marlon brando, melodrama, NIDA, period films, privilege of legends, robert aldrich, samuel fuller, screenwriting, shooting technique, silent films, sonny syah, symbolism in film, technicolor, the searchers, Uncategorized, western films

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Hollywood And The Nuclear Age

Published September 2, 2015January 9, 2017 by Privilege Of Legends in 50's film, 60's film, 80's film, academy awards, AFTRS, alex cox, anti-war film, art in film, auteurs, bfi, black comedy, cinematography, classic film, cold war, crime fiction, directing, film art, film essay, film genre, film noir, film production, filmmaking, hard boiled, london film, mickey spillane, peter sellers, politics, privilege of legends, pulp crime fiction, ralph meeker, robert aldrich, satire, science fiction, shooting technique, sonny syah, stanley kubrick

All That Glitters…

Published July 23, 2015January 9, 2017 by Privilege Of Legends in 50's film, acting, bad and the beautiful, bfi, brigitte bardot, classic film, contempt, cult film, film art, film blog, film essay, film genre, film noir, film production, filmmaking, french cinema, french new wave, fritz lang, hollywood satire, jack palance, jean-luc godard, kirk douglas, melodrama, orson welles, parody, privilege of legends, robert aldrich, satire, shelley winters, the big knife, val lewton, vincente minnelli

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