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Category: sci-fi

An International Tour With The Stanley Kubrick Exhibition

Published January 28, 2017February 3, 2017 by Privilege Of Legends in 2001 space odyssey, 50's film, 60's film, 70's film, 80's film, academy awards, anti-war film, art in film, auteurs, barry lyndon, bfi, blog essay, cinematography, classic film, clockwork orange, cold war, colour in film, creative writing, criterion, cult film, deutsche filmmuseum, directing film, director of photography, directors, dr strangelove, eyes wide shut, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, film titles, filmmaking, foreign cinema, foreign film, full metal jacket, hitchcock, hollywood, hollywood satire, horror, independent american cinema, independent film, jack nicholson, kubrick, kurosawa, lolita, london art, london film, melodrama, nicolas roeg, NIDA, period films, politics, post production, privilege of legends, sci-fi, science fiction, screenwriting, shooting technique, sonny syah, spartacus, stanley kubrick, stanley kubrick exhibition, symbolism in film, thriller, Uncategorized

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Through The Lens: James Wong Howe

Published January 19, 2017May 25, 2018 by Privilege Of Legends in 30's films, 50's film, 60's film, academy awards, acting, AFTRS, art in film, asian cinema, auteurs, bfi, blog essay, cinematography, classic film, classical music, cold war, colour in film, creative writing, crime fiction, crime film, criterion, cult film, directing film, director of photography, directors, experimental film, femme fatale, film art, film blog, film censorship, film design, film essay, film genre, film lighting, film noir, film production, film studies, film theory, filmmaking, gangster films, graphic art, hard boiled, hays code, howard hawks, independent american cinema, independent film, james cagney, james wong howe, john ford, john huston, london art, london film, long takes, mccarthyism, melodrama, michael curtiz, mob films, neorealism, NIDA, period films, politics, post production, post-war film, pre-code hollywood, privilege of legends, pulp crime fiction, rko pictures, sam fuller, samuel fuller, sci-fi, screenwriting, shooting technique, silent films, sonny syah, surrealism, symbolism in film, technicolor, thriller, toning, Uncategorized, war films

Colour In Film: A Journey Through The Spectrum

Published October 5, 2015January 9, 2017 by Privilege Of Legends in 30's films, andrei tarkovsky, asian cinema, cinematography, colour in film, colour tints, d.w griffith, david lynch, duncan jones, eastman color, f.w murnau, film art, film blog, film essay, film genre, film production, filmmaking, foreign cinema, francis ford coppola, french new wave, george lucas, george melies, hollywood, jean-pierre melville, period films, post production, privilege of legends, robert altman, russian film, sci-fi, silent films, sonny syah, technicolor, three colors trilogy, toning, wong kar wai, world cinema

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