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Tag: 40’s film

Enterprise Studios: The Story of a Short-lived Independent Utopia

Published October 24, 2019October 24, 2019 by Privilege Of Legends in 40's film, 50's film, academy awards, Enterprise studios, hollywood blacklist, independent hollywood, john garfield, Uncategorized

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Noir in Six Fatal Kisses

Published March 11, 2018March 29, 2021 by Privilege Of Legends in 40's film, 50's film, academy awards, art direction, art in film, ben hecht, bfi, billy wilder, blog essay, classic film, cold war, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, double indemnity, fascism, femme fatale, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, gangster films, hard boiled, hays code, hollywood, independent american cinema, independent film, james cagney, james m cain, london film, mccarthyism, mickey spillane, neo noir, privilege of legends, pulp crime, pulp crime fiction, pulp fiction, ralph meeker, raoul walsh, raymond chandler, richard conte, rko pictures, robert aldrich, robert siodmak, sam fuller, samuel fuller, scorsese, screen adaptations, screenwriting, sonny syah, spy films, spy movies, stanley kubrick, Uncategorized, war films

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Mann Synonymous With Noir

Published January 7, 2017March 12, 2017 by Privilege Of Legends in 40's film, 50's film, academy awards, acting, adventure films, alfred hitchcock, art in film, auteurs, bfi, blog essay, cinematography, classic film, cowboy films, creative writing, crime fiction, crime film, criterion, cult film, detour, directing, directing film, directors, editing, femme fatale, film art, film blog, film design, film essay, film genre, film lighting, film noir, film posters, film production, film studies, film theory, film titles, filmmaking, gangster films, german expressionism, hard boiled, hitchcock, hollywood, london art, london film, melodrama, mob films, NIDA, painting, period films, post-war film, privilege of legends, prohibition era, propaganda film, pulp crime fiction, rko pictures, screenwriting, shooting technique, sonny syah, symbolism in film, thriller, Uncategorized, western films

Feminism And The Film Noir

Published October 7, 2015January 9, 2017 by Privilege Of Legends in 40's film, 50's film, 60's film, anne savage, billy wilder, cinematography, classic film, coen brothers, crime fiction, detour, double indemnity, edward dmytrick, fascism, femme fatale, film art, film essay, film genre, film noir, film production, filmmaking, fritz lang, gaby rodgers, german expressionism, hollywood, james m cain, joan crawford, john ford, linda darnell, michael curtiz, mickey spillane, mildred pierce, neo noir, post-war film, privilege of legends, raymond chandler, rita hayworth, robert siodmak, roman polanski, sam fuller, sonny syah, stanley kubrick, the killing, western films, world cinema

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