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Tag: politics in film

Unsung Heroes of White Hollywood

Published June 18, 2020June 28, 2020 by Privilege Of Legends in black actors, black cinema, black entertainment history, black films, calypso legends, cinema essay, cult film, film blog, film essay, film noir, film posters, film studies, film theory, minorities in hollywood, Uncategorized

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A Jungle Reverie: The Mystic Allure Of The Unexplored

Published August 1, 2016January 9, 2017 by Privilege Of Legends in akira kurosawa, anti-war film, art in film, bfi, blog essay, british cinema, cinematography, classic film, cold war, creative writing, film art, film blog, film design, film essay, film genre, film production, independent american cinema, japanese cinema, london art, london film, post production, privilege of legends, russian film, screenwriting, shooting technique, symbolism in film, vietnam war films, war films, world cinema

At First Glance: A Second To Reflect On The Third Man

Published June 11, 2016January 23, 2021 by Privilege Of Legends in 40's film, academy awards, acting, adventure films, AFTRS, alexander korda, anti-war film, art in film, auteurs, bfi, blog essay, british cinema, carol reed, cinematography, classic film, classical music, composers, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, editing, fascism, femme fatale, film art, film blog, film design, film editing, film essay, film genre, film lighting, film music, film noir, film posters, film production, film scores, film studies, film theory, film vienna, filmmaking, foreign film, german expressionism, graham greene, hard boiled, hitchcock, joseph cotten, london art, london film, neo noir, NIDA, orson welles, period films, poetic realism, politics, post production, post-war film, privilege of legends, pulp crime fiction, screenwriting, shooting technique, sonny syah, symbolism in film, the third man, third man museum, thriller, Uncategorized, world cinema

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Art & The Avant-Garde

Published May 25, 2016January 8, 2017 by Privilege Of Legends in 30's films, 40's film, AFTRS, art in film, auteurs, avant garde, bfi, blog essay, blood of a poet, cinematography, classic film, cocteau, color of pomegranates, creative writing, criterion, cult film, dadaism, directing, directing film, directors, dziga vertoz, eastern european film, experimental film, film art, film blog, film censorship, film design, film editing, film essay, film genre, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, french cinema, hitchcock, independent american cinema, independent film, london art, london film, luis bunuel, man ray, man with a movie camera, marcel duchamp, max ernst, maya deren, meshes of the afternoon, NIDA, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, russian film, salvador dali, screenwriting, shooting technique, silent films, soviet montage theory, surrealism, symbolism in film, Uncategorized

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Jewels Of The Czechoslovakian New Wave

Published May 18, 2016January 9, 2017 by Privilege Of Legends in 50's film, 60's film, academy awards, acting, anti-war film, art in film, auteurs, bfi, black comedy, blog essay, cinematography, classic film, cold war, colour in film, creative writing, criterion, cult film, czech new wave, directing film, directors, eastern european film, editing, fascism, film art, film blog, film censorship, film design, film editing, film essay, film genre, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, french new wave, german expressionism, independent film, italian neo-realism, jiri menzel, le bonbon uk, london art, london film, neo-realism, NIDA, parody, politics, post-war film, pre-war film, privilege of legends, propaganda film, satire, screenwriting, shooting technique, sonny syah, subtitles cafe, Uncategorized, world cinema

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Hollywood And The Nuclear Age

Published September 2, 2015January 9, 2017 by Privilege Of Legends in 50's film, 60's film, 80's film, academy awards, AFTRS, alex cox, anti-war film, art in film, auteurs, bfi, black comedy, cinematography, classic film, cold war, crime fiction, directing, film art, film essay, film genre, film noir, film production, filmmaking, hard boiled, london film, mickey spillane, peter sellers, politics, privilege of legends, pulp crime fiction, ralph meeker, robert aldrich, satire, science fiction, shooting technique, sonny syah, stanley kubrick

Keep On Truckin’

Published June 24, 2015January 9, 2017 by Privilege Of Legends in 50's film, acting, anthony quinn, auteurs, bfi, blog essay, classic film, clouzot, creative writing, cult film, dassin, directing, fellini, film art, film blog, film noir, film production, film studies, film theory, french cinema, giulietta masina, italian neo-realism, lee j cobb, mccarthyism, privilege of legends, richard conte, screenwriting, sonny syah, tennessee williams

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A Score To Settle

Published March 8, 2015January 10, 2017 by Privilege Of Legends in academy awards, adventure films, bernard hermann, bfi, cinematography, classic film, composers, cult film, directing, ennio morricone, film music, film production, film scores, film sound, giorgio moroder, independent american cinema, independent film, screenwriting, shooting technique, soundtracks

The Politics Of Cinema

Published March 23, 2014March 23, 2016 by Privilege Of Legends in anti-war film, auteurs, battle of algiers, cinematography, classic film, conformist, creative writing, cult film, directing, fascism, film blog, film production, foreign cinema, mccarthyism, neo-realism, politics, privilege of legends, propaganda film, salt of the earth, screenwriting, sonny syah, world cinema

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