Skip to content

Privilege Of Legends

'It is the privilege of legends to be timeless.'
  • Home
  • Interviews
  • About
  • Contact

Tag: realism

The Deadly Gent: British Crime Films of 1970-1972

Published May 9, 2019 by Privilege Of Legends in 70's cinema, 70's film, al capone, art direction, art in film, bfi, blaxploitation, blog essay, british board of film censors, british cinema, british crime films, british films, cinematography, classic film, composers, creative writing, crime fiction, crime film, criterion, cult film, directing, directing film, director of photography, directors, experimental film, film art, film blog, film censorship, film design, film distribution, film essay, film genre, film music, film noir, film parody, film posters, film production, film scores, film studies, film theory, filmmaking, foreign film, french cinema, french new wave, gangster films, hard boiled, hollywood, hollywood satire, independent film, jazz, london art, london film, michael caine, mickey spillane, musical theatre, musicals, neo noir, nicolas roeg, organised crime, parody, period films, playwrights, politics, privilege of legends, pulp crime, pulp crime fiction, pulp fiction, raoul walsh, raymond chandler, realism in film, richard burton, satire, screen adaptations, screenwriting, sonny and his pen, sonny syah, symbolism in film, theatre in film, thriller, Uncategorized, walkabout, warner brothers
Leave a comment

A Picture, A Thousand Words & The Eyes Of Orson Welles

Published August 29, 2018August 29, 2018 by Privilege Of Legends in bfi, film sketches, film storyboards, mark cousins, orson welles, orson welles documentary, the eyes of orson welles, Uncategorized
Leave a comment

Keeping The Light On For Alan Clarke

Published April 21, 2016April 19, 2018 by Privilege Of Legends in 70's film, 80's film, acting, AFTRS, alan clarke, andy kelleher, art in film, auteurs, bfi, black comedy, blog essay, cinematography, classic film, colour in film, creative writing, crime film, criterion, cult film, david bowie, directing film, directors, film art, film blog, film design, film essay, film genre, film noir, film production, film studies, film theory, french new wave, gary oldman, independent film, italian neo-realism, le bonbon uk, london art, london film, melodrama, neo noir, neo-realism, NIDA, parody, poetic realism, politics, post production, privilege of legends, ray winstone, satire, screenwriting, shooting technique, sonny syah, tim roth, Uncategorized, world cinema
Leave a comment

Blog at WordPress.com.