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Tag: sonny and his pen

Crime and Crane

Published February 22, 2019May 7, 2019 by Privilege Of Legends in crane wilbur, crime fiction, crime film, eagle-lion films, film essay, film genre, film noir, film posters, film production code, film studies, film theory, john alton, organised crime, postwar films, propaganda films, pulp crime fiction, Uncategorized

The Camera and the Typewriter

Published October 31, 2018February 22, 2019 by Privilege Of Legends in 60's film, art house cinema, avant garde, film essay, film genre, film studies, film theory, foreign film, japanese fiction, japanese new wave, japanese novelists, kobo abe, surrealist film, teshigahara, Uncategorized

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A Picture, A Thousand Words & The Eyes Of Orson Welles

Published August 29, 2018August 29, 2018 by Privilege Of Legends in bfi, film sketches, film storyboards, mark cousins, orson welles, orson welles documentary, the eyes of orson welles, Uncategorized

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Film Censorship & Pre-Code Hollywood

Published August 12, 2018August 16, 2018 by Privilege Of Legends in 30's films, al capone, barbara stanwyck, british board of film censors, charles laughton, crime fiction, crime film, edward g. robinson, ernst lubitsch, fatty arbuckle scandal, femme fatale, film censorship, film production code, gangster films, george raft, h.g wells, hays code, hollywood court cases, horror, island of lost souls, james cagney, jean harlow, joan crawford, john dillinger, lewis milestone, little caesar, mccarthyism, murders in the zoo, organised crime, paul muni, pre-code hollywood, pre-code horror, privilege of legends, pulp crime, pulp crime fiction, realism in film, red-headed woman, scarface, science fiction, silent films, sonny and his pen, sonny syah, stock market collapse 1929, the great depression, the island of dr. moreau, the jazz age, the public enemy, tod browning, Uncategorized, w. somerset maugham, walter huston, warner brothers, william desmond taylor, william hays, william wellman

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