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Tag: foreign film

A Jungle Reverie: The Mystic Allure Of The Unexplored

Published August 1, 2016January 9, 2017 by Privilege Of Legends in akira kurosawa, anti-war film, art in film, bfi, blog essay, british cinema, cinematography, classic film, cold war, creative writing, film art, film blog, film design, film essay, film genre, film production, independent american cinema, japanese cinema, london art, london film, post production, privilege of legends, russian film, screenwriting, shooting technique, symbolism in film, vietnam war films, war films, world cinema

Art & The Avant-Garde

Published May 25, 2016January 8, 2017 by Privilege Of Legends in 30's films, 40's film, AFTRS, art in film, auteurs, avant garde, bfi, blog essay, blood of a poet, cinematography, classic film, cocteau, color of pomegranates, creative writing, criterion, cult film, dadaism, directing, directing film, directors, dziga vertoz, eastern european film, experimental film, film art, film blog, film censorship, film design, film editing, film essay, film genre, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, french cinema, hitchcock, independent american cinema, independent film, london art, london film, luis bunuel, man ray, man with a movie camera, marcel duchamp, max ernst, maya deren, meshes of the afternoon, NIDA, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, russian film, salvador dali, screenwriting, shooting technique, silent films, soviet montage theory, surrealism, symbolism in film, Uncategorized

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Jewels Of The Czechoslovakian New Wave

Published May 18, 2016January 9, 2017 by Privilege Of Legends in 50's film, 60's film, academy awards, acting, anti-war film, art in film, auteurs, bfi, black comedy, blog essay, cinematography, classic film, cold war, colour in film, creative writing, criterion, cult film, czech new wave, directing film, directors, eastern european film, editing, fascism, film art, film blog, film censorship, film design, film editing, film essay, film genre, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, french new wave, german expressionism, independent film, italian neo-realism, jiri menzel, le bonbon uk, london art, london film, neo-realism, NIDA, parody, politics, post-war film, pre-war film, privilege of legends, propaganda film, satire, screenwriting, shooting technique, sonny syah, subtitles cafe, Uncategorized, world cinema

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Montage Theory: The Power Of Images

Published November 6, 2015January 9, 2017 by Privilege Of Legends in battleship potemkin, cinematography, classic film, dziga vertoz, eisenstein, film art, film blog, film editing, film genre, film production, foreign film, hitchcock, le bonbon uk, odessa steps, privilege of legends, propaganda film, psycho, pudovkin, sonny syah, soviet montage theory

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All That Glitters…

Published July 23, 2015January 9, 2017 by Privilege Of Legends in 50's film, acting, bad and the beautiful, bfi, brigitte bardot, classic film, contempt, cult film, film art, film blog, film essay, film genre, film noir, film production, filmmaking, french cinema, french new wave, fritz lang, hollywood satire, jack palance, jean-luc godard, kirk douglas, melodrama, orson welles, parody, privilege of legends, robert aldrich, satire, shelley winters, the big knife, val lewton, vincente minnelli

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Keep On Truckin’

Published June 24, 2015January 9, 2017 by Privilege Of Legends in 50's film, acting, anthony quinn, auteurs, bfi, blog essay, classic film, clouzot, creative writing, cult film, dassin, directing, fellini, film art, film blog, film noir, film production, film studies, film theory, french cinema, giulietta masina, italian neo-realism, lee j cobb, mccarthyism, privilege of legends, richard conte, screenwriting, sonny syah, tennessee williams

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A Score To Settle

Published March 8, 2015January 10, 2017 by Privilege Of Legends in academy awards, adventure films, bernard hermann, bfi, cinematography, classic film, composers, cult film, directing, ennio morricone, film music, film production, film scores, film sound, giorgio moroder, independent american cinema, independent film, screenwriting, shooting technique, soundtracks

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